The ultimate collection of drum sounds tailored for the acoustic songwriter needs a great selection of vintage-to-modern kits that can handle anything from subtle nuance to all-out power. This EZX has seven of them. It also needs a great studio. This one was captured in Nashville\u2019s, or arguably the world\u2019s, number one hotspot for the buzzing songwriting scene. It, of course, also needs the absolute best in terms of mics, outboard and gear. With two top-of-the-line 48-channel API consoles, Neve preamps and a mic selection that includes vintage Neumann U67s, AKG D30s and Coles, this EZX gets a resolute check in that box as well. Finally, and most importantly, it needs a producer at the helm. That someone, in this case, is Dave O\u2019Donnell, multi-award-winning engineer\/producer\/mixer who\u2019s worked back to back with the absolute top tier of artists for four decades and counting. Listen to his work with the likes of James Taylor, Sheryl Crow and John Mayer and you\u2019ll understand why he\u2019s widely considered one of the best in the business.<\/p>\n

We could go on to rant about the fact that legendary drum tech Artie Smith oversaw tuning, that brushes and rods were sampled on selected kits, that both of the iconic main rooms at the studio are featured or that the absolute must-haves in terms of percussion instruments also were sampled\u2026 but if you\u2019re in the market for beautiful acoustic drums that cover the entire range from warm, mellow and earthy to absolutely hard-hitting and powerful, we think you got it by now.<\/p>\n

This one goes out to all the storytellers and songsmiths who thoroughly and completely adore authentically acoustic-sounding drums. If kits could speak, they\u2019d sing the tune of this EZX. Ready to make some songs?<\/p>\n<\/p><\/div>\n

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Seven kits tailored for anything from acoustic pop to country, folk, singer-songwriter and rock<\/li>\n
Selected kits sampled with brushes or rods<\/li>\n
Recorded by Grammy Award-winning engineer\/producer\/mixer Dave O\u2019Donnell at the Sound Emporium Studios in Nashville, TN<\/li>\n
Features two rooms configured as separate libraries<\/li>\n
Drum and tuning technician duties by the legendary Artie Smith<\/li>\n
Includes a basic collection of percussion instruments like tambourines, shakers, claves and finger snaps\/claps<\/li>\n
Features mix-ready presets for a broad range of sounds<\/li>\n
Includes a library of MIDI unique to the product, showcasing all tools and relevant styles<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/div>\n
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This EZX expansion requires EZdrummer 3<\/strong><\/a> or Superior Drummer 3<\/strong><\/a>.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n
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FULL PRODUCTIONS<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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KIT & PRESET
SELECTION<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n
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THE MAKING OF.<\/strong><\/h2>\n
Meet Dave O\u2019Donnell and get a glimpse of what happened behind the scenes during the session!<\/strong><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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ABOUT THE STUDIO.<\/strong><\/h2>\n
A cornerstone in the Nashville recording community.<\/strong><\/p>\n
When Dave O\u2019Donnell started mapping out this project, the choice of studio was given from the get-go: Sound Emporium. Founded by legendary producer Cowboy Jack Clement in 1969, this legendary studio is one of Nashville\u2019s most celebrated and longest-running recording spaces. Known for its creative atmosphere and rooms amazing at capturing acoustic instruments, it\u2019s become a landmark and creative hub for up-and-coming as well as iconic artists. Over the years, it\u2019s seen anyone from Johnny Cash, Willie Nelson and Alison Krauss come through its doors.<\/p>\n
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ABOUT THE STUDIO.<\/strong><\/h1>\n
A cornerstone in the Nashville recording community.<\/strong><\/p>\n
When Dave O\u2019Donnell started mapping out this project, the choice of studio was given from the get-go: Sound Emporium. Founded by legendary producer Cowboy Jack Clement in 1969, this legendary studio is one of Nashville\u2019s most celebrated and longest-running recording spaces. Known for its creative atmosphere and rooms amazing at capturing acoustic instruments, it\u2019s become a landmark and creative hub for up-and-coming as well as iconic artists. Over the years, it\u2019s seen anyone from Johnny Cash, Willie Nelson and Alison Krauss come through its doors.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n
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STUDIO A.<\/strong><\/h1>\n
This space boasts more than 133 square meters of floor space and six-meter-high ceilings, making it the perfect space for drums that sing.<\/strong><\/p>\n<\/p><\/div>\n
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STUDIO B.<\/strong><\/h1>\n
This living room-like space measures roughly 40 square meters and has a cathedral ceiling that peaks at five meters. This is the optimal space for intimate- and mellow-sounding drums.<\/strong><\/p>\n<\/p><\/div>\n<\/p><\/div>\n
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MEET THE ENGINEER.<\/h4>\n
DAVE O\u2019DONNELL.<\/strong><\/h1>\n
DAVE O\u2019DONNELL.<\/strong><\/h1>\n
Multi-award-winning engineer, producer and mixer.<\/strong><\/p>\n
Since starting out as a runner at Power Station in New York City back in the early 1980s, Dave has cemented himself as one of the most sought-after producer\/engineer\/mixer of our time. Over his four-decade-long career, he\u2019s shaped the sound of countless timeless and seminal works by he likes of James Taylor, John Mayer, Eric Clapton and Sheryl Crow, to name a few. Known for his extreme attention to detail and intuitive musical ear, his work has earned him two Grammy Award wins and several nominations, five TEC Award wins and two Emmy nominations. Needless to say, we couldn\u2019t be more proud than to lend his drum sounds to songwriters from all over the world.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n
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SELECTED DISCOGRAPHY<\/strong><\/h3>\n
The Rolling Stones<\/span><\/strong> \u201cDreamy Skies\u201d (2023)<\/strong><\/p>\n
Lindsay Lou<\/span><\/strong> \u201cQueen of Time\u201d (2023)<\/strong><\/p>\n
James Taylor<\/span><\/strong> \u201cAmerican Standard\u201d (2020)<\/strong><\/p>\n
Sheryl Crow<\/span><\/strong> “Threads” (2019) (2020)<\/strong><\/p>\n
Bettye LaVette<\/span><\/strong> \u201cThings Have Changed\u201d (2018)<\/strong><\/p>\n
James Taylor<\/span><\/strong> \u201cBefore This World\u201d (2015)<\/strong><\/p>\n
Boz Scaggs<\/span><\/strong> “Rich Woman” (2015)<\/strong><\/p>\n
Keith Richards<\/span><\/strong> \u201cCrosseyed Heart\u201d (2015)<\/strong><\/p>\n
Kurt Elling<\/span><\/strong> \u201cDedicated to You\u201d (2010)<\/strong><\/p>\n
James Taylor<\/span><\/strong> \u201cOne Man Band\u201d (2008)<\/strong><\/p>\n
John Mayer<\/span><\/strong> \u201cContinuum\u201d (2006)<\/strong><\/p>\n
Keb\u2019 Mo\u2019<\/span><\/strong> \u201cThe Door\u201d (2000) (2006)<\/strong><\/p>\n
Eric Clapton<\/span><\/strong> \u201cJourneyman\u201d (1989)<\/strong><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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FIVE QUESTIONS
TO DAVE O\u2019DONNELL.<\/strong><\/h2>\n<\/p><\/div>\n<\/p><\/div>\n
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You started out playing trumpet in grade school and took piano lessons as a teenager. How did your musical interest transition into a fascination for sound and recording?<\/strong>
\nI always loved music and listening to the radio. When I was very young I had a small mono transistor radio, only AM channels, but I loved it and listened to music all the time. So, early on it was a lot of popular music. In school, I was more exposed to jazz and \u2018classical\u2019 music. Piano lessons were mostly classical, but I loved pop and would play that on my own. As a teenager I started collecting vinyl singles and albums. At some point, I became fascinated by the sound and how the records were different from each other. I also noticed some albums by different bands had the same \u201cproducer,\u201d having no idea what a producer was. I think it was obvious how different guitars sounded different, but I had no concept of how to make everything sound different. The only way to learn about how records were made was by reading magazine articles, so that became a great source of information.<\/p>\n
You\u2019ve won Grammys, TEC Awards, received Emmy nominations and recorded with some of the biggest artists of all time. Is there still that one project on your bucket list that you haven\u2019t checked off yet?<\/strong>
\nOh, there\u2019s probably a few of them! I feel very fortunate to have worked with the artists I have, many of whom I was always a big fan of. I never thought I\u2019d work with Keith Richards, and ended up doing a lot of work and spending a lot of time in the studio with him. Recently, I got a chance to work with The Rolling Stones, so being with Keith, Mick and Ronnie together was about at the top of my list. Other favorites I never met are Pete Townsend, Peter Gabriel, Elton John. I would love to do a big band jazz record at some point, and I did recently record the Count Basie Orchestra. Classical music is a whole different field, and to record an Opera would be a thrill, though I don\u2019t see that happening. There are many contemporary artists that are very talented who I would enjoy working with, some known, some lesser known.<\/p>\n
Why was Sound Emporium the obvious choice of studio for this project?<\/strong>
\nI love the studio and the staff. It has a real ingrained sound and feel from all the work that\u2019s been done there over the years. I recorded basic tracks with Lindsay Lou there and we had a great experience. It\u2019s a well known place, but has a very \u2018indie\u2019 feel. Sonically, Studio A is a large room but not real live, so for some of the things we wanted to record it was perfect. It\u2019s spacious but not overly reflective and without any weird resonances. Studio B is kind of the opposite \u2013 small but explosive! I\u2019ve used the software myself and was familiar with it. I wanted to capture sounds that are a bit different than other expansion packs. Working at Sound Emporium I felt we could get a wide array of different sounds using both rooms.<\/p>\n<\/p><\/div>\n
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To you, what defines a great drum sound?<\/strong>
\nWell, it starts with the player, then the actual drums, the way they\u2019re set up and tuned \u2013 and then the room and the gear used to record them. To me, drummers are as unique as singers, and two different drummers playing the same kit will sound completely different. So, to capture a drum sound well you need to focus on what the drummer is doing, listen in the room, hear what they hear and feel what they feel. A great sound is one that\u2019s exciting on its own \u2013 it makes you want to get up and move or inspires you to play along and write. It also works with the rest of the band, whatever that may be, and enhances the music. One thing I love about Toontrack is that the libraries have a wide variety of drums and presets, so very quickly you can go through and find something that captures your imagination without a lot of tweaking. It also has variables that let you adjust the sound quickly, from tuning the individual drums to adjusting levels and EQ (in Superior Drummer 3). When working with these sounds, I always had an image of a band playing along, and how the drums would work in various contexts.<\/p>\n
\u201cWhen working with these sounds, I always had an image of a band playing along\u2026\u201d<\/strong><\/p>\n
Having had the chance to work with the sounds when making presets and really digging into the product, how do you feel it all came out?<\/strong>
\nI\u2019m very satisfied with our end result. It\u2019s amazing how much planning and work goes into creating this, there\u2019s a LOT of detail. Norman is an amazing drummer and also extremely knowledgeable about every aspect of the software. I felt I was able to capture the drums how I wanted to and also make the various presets to my satisfaction.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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THE DRUMS.<\/strong><\/h1>\n
THE DRUMS.<\/strong><\/h1>\n
The seven kits in this EZX were handpicked to cover the broadest possible scope of tonal flavors ideal for singer-songwriter, acoustic pop, rock and more. <\/strong><\/p>\n
In addition, legendary drum technician Artie Smith<\/strong> was present throughout the entire session to oversee tuning and treatments. The imprint Artie has left through his several-decade-long tenure in the world of drums can\u2019t be overlooked. Since the early 1980s and through to now, first-call session drummers and engineers alike have trusted his bottomless drum knowledge during recordings. When it comes to drums, he is nothing short of a master.<\/p>\n
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NEW ERA KIT.<\/strong><\/h1>\n
Recorded in: Studio A<\/span>
\n Recorded tools and\/or configurations: Drumsticks<\/span><\/strong><\/p>\n<\/p><\/div>\n
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\u201cTerrific modern kit, with a solid and open sound. Versatile and dynamic. There\u2019s an alternate<\/em> 22″ bass drum for a different feel.\u201d<\/em><\/strong>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n
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Brand: Craviotto*<\/a><\/span>
\n Model: Custom<\/span>
\n Material: Solid Maple<\/span>
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Finish: Oiled Maple<\/span>
\n Era: 2000s<\/span><\/strong><\/p>\n<\/p><\/div>\n
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Brand: Craviotto*<\/a><\/span>
\n Model: Custom<\/span>
\n Material: Solid Maple<\/span>
\n Finish: Oiled Maple<\/span>
\n Era: 2000s<\/span><\/strong><\/p>\n<\/p><\/div>\n
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\u201cTerrific modern kit, with a solid and open sound. Versatile and dynamic. There\u2019s an alternate<\/em> 22″ bass drum for a different feel.\u201d<\/strong><\/em>
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*All other manufacturers\u2019 product names are trademarks of their respective owners, which are in no way associated or affiliated with Toontrack. See full notice here<\/a>.<\/p><\/p>\n
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See full instrument list & details<\/h5>\n
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TRADITIONAL KIT.<\/strong><\/h1>\n
Recorded in: Studio A<\/span>
\n Recorded tools and\/or configurations: Drumsticks and rods<\/span><\/strong><\/p>\n<\/p><\/div>\n
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\u201cGreat sounding kit. Compact and punchy with a warm feel. Right away we knew this was the kit to use the rods on.\u201d<\/strong><\/em>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n
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Brand: Camco*<\/a><\/span>
\n Model: LA Era<\/span>
\n Material: Maple<\/span>
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Finish: Natural Maple<\/span>
\n Era: 1960s<\/span><\/strong><\/p>\n<\/p><\/div>\n
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Brand: Camco*<\/a><\/span>
\n Model: LA Era<\/span>
\n Material: Maple<\/span>
\n Finish: Natural Maple<\/span>
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\u201cGreat sounding kit. Compact and punchy with a warm feel. Right away we knew this was the kit to use the rods on.\u201d<\/strong><\/em>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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*All other manufacturers\u2019 product names are trademarks of their respective owners, which are in no way associated or affiliated with Toontrack. See full notice here<\/a>.<\/p><\/p>\n
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See full instrument list & details<\/h5>\n
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OLD ONYX KIT.<\/strong><\/h1>\n
Recorded in: Studio A<\/span>
\n Recorded tools and\/or configurations: Drumsticks<\/span><\/strong><\/p>\n<\/p><\/div>\n
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\u201cFirm- and weighty-sounding, great for \u201cgroove\u201d tracks. Solid feel \u2013 and I love
the snare!\u201d<\/strong><\/em>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n
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Brand: Rogers*<\/a><\/span>
\n Model: Holiday<\/span>
\n Material: Maple<\/span>
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Finish: Blue Onyx<\/span>
\n Era: 1960s<\/span><\/strong><\/p>\n<\/p><\/div>\n
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Brand: Rogers*<\/a><\/span>
\n Model: Holiday<\/span>
\n Material: Maple<\/span>
\n Finish: Blue Onyx<\/span>
\n Era: 1960s<\/span><\/strong><\/p>\n<\/p><\/div>\n
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\u201cFirm- and weighty-sounding, great for \u201cgroove\u201d tracks. Solid feel \u2013 and I love the snare!\u201d<\/strong><\/em>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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*All other manufacturers\u2019 product names are trademarks of their respective owners, which are in no way associated or affiliated with Toontrack. See full notice here<\/a>.<\/p><\/p>\n
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See full instrument list & details<\/h5>\n
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VINTAGE KIT.<\/strong><\/h1>\n
Recorded in: Studio A<\/span>
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\u201cWe definitely wanted to include a vintage kit, which is always great for acoustic songs and for anything with a loose feel.\u201d<\/strong><\/em>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n
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Brand: Slingerland*<\/a><\/span>
\n Model: Radioking<\/span>
\n Material: Mahogany\/maple\/poplar<\/span>
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Finish: White Marine Pearl<\/span>
\n Era: 1940s<\/span><\/strong><\/p>\n<\/p><\/div>\n
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Brand: Slingerland*<\/a><\/span>
\n Model: Radioking<\/span>
\n Material: Mahogany\/maple\/poplar<\/span>
\n Finish: White Marine Pearl<\/span>
\n Era: 1940s<\/span><\/strong><\/p>\n<\/p><\/div>\n
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\n
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Open player<\/span>\"\n >\n
<\/div>\n<\/p><\/div>\n
\n
\n
\u201cWe definitely wanted to include a vintage kit, which is always great for acoustic songs and for anything with a loose feel.\u201d<\/strong><\/em>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n <\/div> <\/div>\n
\n
<\/p>\n
\n
\n
<\/div>\n
*All other manufacturers\u2019 product names are trademarks of their respective owners, which are in no way associated or affiliated with Toontrack. See full notice here<\/a>.<\/p><\/p>\n
<\/div>\n
See full instrument list & details<\/h5>\n
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\n
EVERGREEN KIT<\/strong><\/h1>\n
Recorded in: Studio B<\/span>
\n Recorded tools and\/or configurations: Drumsticks<\/span><\/strong><\/p>\n<\/p><\/div>\n
\n
\u201cA classic indeed! Sounds great in Studio B \u2013 and Artie Smith has tuned it to perfection. Works well either dry or roomy.\u201d<\/strong><\/em>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n
\n
\n
Brand: WFL*<\/a><\/span>
\n Model: Buddy Rich Super Classic<\/span>
\n Material: Maple\/mahogany<\/span>
<\/strong><\/p>\n<\/p><\/div>\n
\n
Finish: Red Sparkle<\/span>
\n Era: 1950s<\/span><\/strong><\/p>\n<\/p><\/div>\n
\n
Brand: WFL*<\/a><\/span>
\n Model: Buddy Rich Super Classic<\/span>
\n Material: Maple\/mahogany<\/span>
\n Finish: Red Sparkle<\/span>
\n Era: 1950s<\/span><\/strong><\/p>\n<\/p><\/div>\n
<\/div>\n
\n
\n
\n
Open player<\/span>\"\n >\n
<\/div>\n<\/p><\/div>\n
\n
\n
\u201cA classic indeed! Sounds great in Studio B \u2013 and Artie Smith has tuned it to perfection. Works well either dry or roomy.\u201d<\/strong><\/em>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n <\/div> <\/div>\n
\n
<\/p>\n
\n
\n
<\/div>\n
*All other manufacturers\u2019 product names are trademarks of their respective owners, which are in no way associated or affiliated with Toontrack. See full notice here<\/a>.<\/p><\/p>\n
<\/div>\n
See full instrument list & details<\/h5>\n
<\/div>\n

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\n
MODERN KIT.<\/strong><\/h1>\n
Recorded in: Studio B<\/span>
\n Recorded tools and\/or configurations: Drumsticks and brushes<\/span><\/strong><\/p>\n<\/p><\/div>\n
\n
\u201cGreat kit that\u2019s open and punchy, with walnut shells for a different tone from the ones with maple. We sampled this one with brushes as well.\u201d<\/strong><\/em>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n
\n
\n
Brand: Craviotto*<\/a><\/span>
\n Model: Custom<\/span>
\n Material: Walnut<\/span>
<\/strong><\/p>\n<\/p><\/div>\n
\n
Finish: Oiled Walnut<\/span>
\n Era: 2010s<\/span><\/strong><\/p>\n<\/p><\/div>\n
\n
Brand: Craviotto*<\/a><\/span>
\n Model: Custom<\/span>
\n Material: Walnut<\/span>
\n Finish: Oiled Walnut<\/span>
\n Era: 2010s<\/span><\/strong><\/p>\n<\/p><\/div>\n
<\/div>\n
\n
\n
\n
Open player<\/span>\"\n >\n
<\/div>\n<\/p><\/div>\n
\n
\n
\u201cGreat kit that\u2019s open and punchy, with walnut shells for a different tone from the ones with maple. We sampled this one with brushes as well.\u201d<\/strong><\/em>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n <\/div> <\/div>\n
\n
<\/p>\n
\n
\n
<\/div>\n
*All other manufacturers\u2019 product names are trademarks of their respective owners, which are in no way associated or affiliated with Toontrack. See full notice here<\/a>.<\/p><\/p>\n
<\/div>\n
See full instrument list & details<\/h5>\n
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SIXTIES TOWELED KIT.<\/strong><\/h1>\n
Recorded in: Studio B<\/span>
\n Recorded tools and\/or configurations: Drumsticks<\/span><\/strong><\/p>\n<\/p><\/div>\n
\n
\u201cHas the towels on them for that muted feel. Also works well to tune it down a bit!\u201d<\/strong><\/em>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n
\n
\n
Brand: Ludwig*<\/a><\/span>
\n Model: Hollywood<\/span>
\n Material: Maple\/poplar<\/span>
<\/strong><\/p>\n<\/p><\/div>\n
\n
Finish: Psychedelic Red<\/span>
\n Era: 1960s<\/span><\/strong><\/p>\n<\/p><\/div>\n
\n
Brand: Ludwig*<\/a><\/span>
\n Model: Hollywood<\/span>
\n Material: Maple\/poplar<\/span>
\n Finish: Psychedelic Red<\/span>
\n Era: 1960s<\/span><\/strong><\/p>\n<\/p><\/div>\n
<\/div>\n
\n
\n
\n
Open player<\/span>\"\n >\n
<\/div>\n<\/p><\/div>\n
\n
\n
\u201cHas the towels on them for that muted feel. Also works well to tune it down a bit!\u201d<\/strong><\/em>
Dave O\u2019Donnell<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n <\/div> <\/div>\n
\n
<\/p>\n
\n
\n
<\/div>\n
*All other manufacturers\u2019 product names are trademarks of their respective owners, which are in no way associated or affiliated with Toontrack. See full notice here<\/a>.<\/p><\/p>\n
<\/div>\n
See full instrument list & details<\/h5>\n
<\/div>\n

\n
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\n<\/div>\n
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\n
THE PERCUSSION.<\/strong><\/h1>\n
The acoustic songwriter\u2019s
must-haves!<\/strong><\/p>\n
As we all know, a drum groove is only half as cool without some traditional percussion. This EZX features the ultimate staples! Find exact details in the instruments list for each kit.<\/p>\n
\n
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Open player<\/span>\"\n >\n
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ADDITIONAL INSTRUMENTS & EXTRAS.<\/h5>\n
<\/div>\n

\n
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<\/div>\n

\n<\/div>\n
<\/div>
\n*All other manufacturers\u2019 product names are trademarks of their respective owners, which are in no way associated or affiliated with Toontrack. See full notice here<\/a>.<\/p>\n <\/p><\/div>\n
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THE ROOMS
& THE MICS.<\/strong><\/h1>\n
Below is a plot that displays approximately where key mics were placed in each room.<\/strong><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
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\n $\"\"$ \n <\/div>\n
\n
STUDIO A.<\/strong><\/h2>\n
\n
Kick In Dyn:<\/strong> Electro-Voice RE20\/Sennheiser MD
421\/AKG D30 \u2013 Neve 1073<\/span><\/li>\n
Kick In Cond:<\/strong> AKG D12 VR \u2013 Neve 1073<\/span><\/li>\n
Kick Out:<\/strong> Neumann U 47 FET \u2013 Neve 31102<\/span><\/li>\n
Snare Top:<\/strong> Shure SM57 \u2013 Neve 31102<\/span><\/li>\n
Snare Bottom:<\/strong> Shure SM57 \u2013 Neve 1073<\/span><\/li>\n
Hi-Hat:<\/strong> AKG C451 B \u2013 Neve 1073<\/span><\/li>\n
Racktom 1:<\/strong> Sennheiser MD421 \u2013 Neve 31102<\/span><\/li>\n
Racktom 2:<\/strong> Sennheiser MD421 \u2013 Neve 31102<\/span><\/li>\n
Floortom 1:<\/strong> Sennheiser MD421 \u2013 Neve 1081<\/span><\/li>\n
Floortom 2:<\/strong> Sennheiser MD421 \u2013 Neve 1081<\/span><\/li>\n<\/ol>\n
\n
OH:<\/strong> Neumann U67s \u2013 Neve 1081<\/span><\/li>\n
Ride:<\/strong> Josephson e22 \u2013 API console<\/span><\/li>\n
Mono Kit:<\/strong> RCA 44BX \u2013 API console<\/span><\/li>\n
AmbMid Cond:<\/strong> Neumann U87 \u2013 API console
\n Outboard: EL Fatso Comp<\/span><\/li>\n
AmbFar:<\/strong> Audio Technica 4060s \u2013 API console<\/span><\/li>\n
AmbMidRibbon:<\/strong> AEA R88 \u2013 API console<\/span><\/li>\n<\/ol><\/div>\n
<\/div>\n
<\/div>\n
\n
STUDIO B.<\/strong><\/h2>\n
\n
Kick In Dyn:<\/strong> Electro-Voice RE20\/Sennheiser MD
421\/AKG D30 \u2013 Neve 1073<\/span><\/li>\n
Kick In Cond:<\/strong> AKG D12 VR \u2013 Neve 1073<\/span><\/li>\n
Kick Out:<\/strong> Neumann U 47 FET \u2013 Neve 31102<\/span><\/li>\n
Snare Top:<\/strong> Shure SM57 \u2013 Neve 31102<\/span><\/li>\n
Snare Bottom:<\/strong> Shure SM57 \u2013 Neve 1073<\/span><\/li>\n
Hi-Hat:<\/strong> AKG C451 B \u2013 Neve 1073<\/span><\/li>\n
Racktom 1:<\/strong> Sennheiser MD421 \u2013 Neve 31102<\/span><\/li>\n
Racktom 2:<\/strong> Sennheiser MD421 \u2013 Neve 31102<\/span><\/li>\n
Floortom 1:<\/strong> Sennheiser MD421 \u2013 Neve 1081<\/span><\/li>\n<\/ol>\n
\n
OH:<\/strong> Neumann U67s \u2013 Neve 1081<\/span><\/li>\n
Ride:<\/strong> Josephson e22 \u2013 API console<\/span><\/li>\n
Mono Kit:<\/strong> RCA 77 \u2013 API console<\/span><\/li>\n
AmbMid Cond:<\/strong> FET 87 \u2013 API console
\n Outboard: Outboard: EL Fatso Comp<\/span><\/li>\n
AmbFar:<\/strong> Beyerdynamic M106 \u2013 API console<\/span><\/li>\n
AmbMidRibbon:<\/strong> AEA R88 \u2013 API console<\/span><\/li>\n
Loft:<\/strong> Octava MK-012 \u2013 API console<\/span><\/li>\n<\/ol><\/div>\n
\n $\"\"$ \n <\/div>\n
\n
STUDIO B.<\/strong><\/h2>\n
\n
Kick In Dyn:<\/strong> Electro-Voice RE20\/Sennheiser MD
421\/AKG D30 \u2013 Neve 1073<\/span><\/li>\n
Kick In Cond:<\/strong> AKG D12 VR \u2013 Neve 1073<\/span><\/li>\n
Kick Out:<\/strong> Neumann U 47 FET \u2013 Neve 31102<\/span><\/li>\n
Snare Top:<\/strong> Shure SM57 \u2013 Neve 31102<\/span><\/li>\n
Snare Bottom:<\/strong> Shure SM57 \u2013 Neve 1073<\/span><\/li>\n
Hi-Hat:<\/strong> AKG C451 B \u2013 Neve 1073<\/span><\/li>\n
Racktom 1:<\/strong> Sennheiser MD421 \u2013 Neve 31102<\/span><\/li>\n
Racktom 2:<\/strong> Sennheiser MD421 \u2013 Neve 31102<\/span><\/li>\n
Floortom 1:<\/strong> Sennheiser MD421 \u2013 Neve 1081<\/span><\/li>\n<\/ol>\n
\n
OH:<\/strong> Neumann U67s \u2013 Neve 1081<\/span><\/li>\n
Ride:<\/strong> Josephson e22 \u2013 API console<\/span><\/li>\n
Mono Kit:<\/strong> RCA 77 \u2013 API console<\/span><\/li>\n
AmbMid Cond:<\/strong> FET 87 \u2013 API console
\n Outboard: Outboard: EL Fatso Comp<\/span><\/li>\n
AmbFar:<\/strong> Beyerdynamic M106 \u2013 API console<\/span><\/li>\n
AmbMidRibbon:<\/strong> AEA R88 \u2013 API console<\/span><\/li>\n
Loft:<\/strong> Octava MK-012 \u2013 API console<\/span><\/li>\n<\/ol><\/div>\n
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\n
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THE MIXER & THE PRESETS.<\/strong><\/h3>\n
In addition to the preset library created by the Toontrack sound design team, a collection of presets engineered by Dave O\u2019Donnell is provided. Each preset features its unique set of channels and macro controls, allowing you to fine-tune individual instrument levels as well as adjust the effects used behind the scenes, the overall saturation amount and more.<\/p>\n<\/p><\/div>\n<\/div>\n
\n
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Open player<\/span>\"\n >\n
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THE MIDI.<\/strong><\/h3>\n
The included MIDI library provides a palette of grooves and fills tailored specifically for the product and the tools included. The content in each \u201csong\u201d was inspired by the drummers, sounds and eras that correspond to the kits in the EZX, giving you great starting points to venture off from when creating your own material.<\/p>\n<\/p><\/div>\n<\/div>\n
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The Acoustic Songwriter EZX team.<\/strong><\/h2>\n
The Acoustic Songwriter EZX team.<\/strong><\/h3>\n
<\/div>\n
<\/div>\n<\/p><\/div>\n
\n
\n $\"\"$ <\/p>\n
L-R: Joanna Finley (assistant engineer)<\/em>, Dave O\u2019Donnell (engineer)<\/em>, Norman Garschke (Toontrack, drummer)<\/em>, Viktor Hansson (Toontrack)<\/em><\/strong><\/p>\n
<\/div>\n<\/p><\/div>\n
\n $\"\"$ <\/p>\n
L-R: Dave O\u2019Donnell (engineer)<\/em>, Norman Garschke (Toontrack, drummer)<\/em>, Artie Smith (drum tech)<\/em><\/strong><\/p>\n
<\/div>\n
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\n <\/div> <\/div>\n
\n

\n
\n
\n
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\n
MORE FOR YOUR SONGS.<\/strong><\/h3>\n
If you fancied this, you might want to check out these as well:\n <\/p>\n<\/div>\n
\n <\/div>\n <\/div>\n
\n
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\n
<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div><\/p>\n
\n <\/div> <\/div>\n","protected":false},"excerpt":{"rendered":"
STUDIO A. This space boasts more than 133 square meters of floor space and six-meter-high ceilings, making it the perfect space for drums that sing. STUDIO B. This living room-like space measures roughly 40 square meters and has a cathedral ceiling that peaks at five meters. This is the optimal space for intimate- and mellow-sounding […]<\/p>\n","protected":false},"featured_media":3393970,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0},"product_brand":[],"product_cat":[33,48],"product_tag":[],"class_list":{"0":"post-3361433","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-ezdrummerline","7":"product_cat-ezx","9":"first","10":"instock","11":"virtual","12":"taxable","13":"purchasable","14":"product-type-simple"},"composite_virtual":false,"composite_layout":"","composite_add_to_cart_form_location":"","composite_editable_in_cart":false,"composite_sold_individually_context":"","composite_shop_price_calc":"","composite_components":[],"composite_scenarios":[],"bundled_by":[],"bundle_stock_status":"instock","bundle_stock_quantity":null,"bundle_virtual":false,"bundle_layout":"","bundle_add_to_cart_form_location":"","bundle_editable_in_cart":false,"bundle_sold_individually_context":"","bundle_item_grouping":"","bundle_min_size":"","bundle_max_size":"","bundle_price":[],"bundled_items":[],"bundle_sell_ids":[],"group_of_quantity":0,"min_quantity":0,"max_quantity":"","exclude_order_quantity_value_rules":"no","exclude_category_quantity_rules":"no","combine_variations":"no","tt_product_image":"https:\/\/www.toontrack.com\/app\/uploads\/product\/acoustic-songwriter-ezx\/jpg\/TT599_AcousticSongwriterEZX_product-image.jpg","_links":{"self":[{"href":"https:\/\/www.toontrack.com\/wp-json\/wp\/v2\/product\/3361433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.toontrack.com\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.toontrack.com\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/www.toontrack.com\/wp-json\/wp\/v2\/comments?post=3361433"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.toontrack.com\/wp-json\/wp\/v2\/media\/3393970"}],"wp:attachment":[{"href":"https:\/\/www.toontrack.com\/wp-json\/wp\/v2\/media?parent=3361433"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.toontrack.com\/wp-json\/wp\/v2\/product_brand?post=3361433"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.toontrack.com\/wp-json\/wp\/v2\/product_cat?post=3361433"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.toontrack.com\/wp-json\/wp\/v2\/product_tag?post=3361433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

MEET THE ENGINEER.<\/h4>\n

ADDITIONAL INSTRUMENTS & EXTRAS.<\/h5>\n<\/div>\n <\/use><\/svg><\/span><\/a>\n <\/p><\/div>\n\n<\/div>\n<\/div>\n